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Bring out the Banners

by Paul 'Bolshie' Brown

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1.
We are singing through the hard times, singing through the hard times Working for the good times to come We are singing through the hard times, singing through the hard times Working for the good times to come. Sometimes our living gets so dark and lonesome It seems like there's nothing we can do So we reach out to each other, and raise a song together And let our voices carry us through. When the war clouds gather it's so easy to get angry And just as hard not to be afraid But we know in our own hearts no matter what happens You just can't turn your back and walk away. Hand in hand together we help each other carry The life that beats within us every day And if we can learn to give, to walk and talk and live That world of peace won't be so far away.
2.
Blue Murder 02:24
They say it's easy money A full page ad in the local rag, Always nice and sunny. Come on lad, and pack your bag. Day in, day out, everyday they drive us harder. Day in, day out, they're getting away with blue murder. It's off to West Australia. Leave the old hometown behind. Be a winner, not a failure. There's money to be made in the Wittenoom Mine. Day in, day out, everyday they drive us harder. Day in, day out, they're getting away with blue murder. They took me to my quarters, A stinking bed in an old tin shed. Got my working orders, With a lamp, and tin hat on my head. Day in, day out, everyday they drive us harder. Day in, day out, they're getting away with blue murder. My girl she's a cook and a cleaner. Works all day in the canteen hall. Six days since I've seen her. Some don't have no girl at all. Day in, day out, everyday they drive us harder. Day in, day out, they're getting away with blue murder. Sweeps the fine blue dust up. Tips it into an old wool pack. Never had a check-up. If she did she'd get the sack Day in, day out, everyday they drive us harder. Day in, day out, they're getting away with blue murder. I feel my health is failing Working down in the thick blue dust. The kids play in the tailings. The boss says work, and work I must. Day in, day out, everyday they drive us harder. Day in, day out, they're getting away with blue murder.
3.
Will ye go tae Flanders, my Mally-o? Will ye go tae Flanders, my Mally-o? There we'll get wine and brandy, Sack and sugar candy, Will ye go tae Flanders, my Mally-o? Will ye go tae Flanders, my Mally-o? Tae see the bonnie sodgers there, my Mally-o? They'll gie us pipes tae blaw, Coats o red an kilts sae braw Aye the finest o them a', o my Mally-o. Will ye go tae Flanders, my Mally-o? Gin I tak the royal shillin there, my Mally-o? Will ye tae a foreign shore? For tae hear the cannons roar? An the bloody shouts o war, o my Mally-o? Will ye go tae Flanders, my Mally-o? Alang wi a the Heilanders, my Mally-o? Ye'll hear the captain call, And ye'll see the sergeant crawl, And the sodgers how they fall, o my Mally-o. Will ye go tae Flanders, my Mally-o? Tae see the chief commanders, my Mally-o? Ye'll see the bullets fly, And the sodgers how we die, And the ladies loudly cry, o my Mally-o.
4.
Chorus 'Cos I'm frae Govan an' ye're frae Partick This yin here's fae Bridge o' Weir and thon's fae Kinning Park There's some that's prods, there's some that's catholic But we're Mrs. Barbour's Army and we're here tae dae the wark In the tenements o' Glesga in the year one nine one five It was one lang bloody struggle tae keep ourselves alive We were coontin' oot the coppers tae buy wor scraps o' food When the landlords put the rent up just because they could A' the factories were hummin', there was overtime galore But wages they were driven doon tae subsidise the war Oot came Mrs. Barbour from her wee bit single end She said, I'll organise the lassies if I cannae rouse the men Mrs. Barbour made a poster sayin', We'll no' pay higher rent Then chapped on every door of every Govan tenement She said, Pit this in the windae an' when you hear me bang the drum We'll run oot an' chase the factor a' the way tae kingdom come When the poor wee soul cam roon' he was battered black and blue By a regiment in pinnies that knew just what tae do Mrs. Barbour organised the gaitherin' o' the clans And they burst oot o' the steamie armed wi' pots an' fryin' pans Mrs. Barbour's Army spread through Glesga like the plague The maisters got the message and the message wisnae vague While oor menfolk fight the Kaiser we'll stay hame and fight the war Against the greedy bastards who keep grindin' doon the poor If ye want tae stop conscription stand and fight the profiteers Bring the hale big bloody sandpit crashin' doon aroon' their ears We'll no' starve, said Mrs. Barbour, While the men we ca' wor ain Are marchin aff tae hae their hairt's blood washed like watter doon a drain Well it didnae take the government that lang tae realise If you crack doon on the leaders then the rest will compromise They arrested Mrs. Barbour and they clapped her in the jile Then they made an awfy big mistake, they let her oot on bail She ca'd the men oot o' the factories on the Clyde and on the Cart They marched up tae the courthoose sayin', We'll tear the place apart Mrs. Barbour's Army brought the maisters tae their knees Wi' a regiment in pinnies backed by one in dungarees.
5.
Hallowe’en 02:34
The tattie-liftin's nearly through, They're ploughin' whaur the barley grew, And aifter dark, roond ilka stack, Ye'll see the horsemen stand an' crack O Lachlan, but I mind o' you! I mind foo often we hae seen Ten thoosand stars keek doon atween The nakit branches, an' below Baith fairm an' bothie hae their show, Alowe wi' lichts o' Hallowe'en. There's bairns wi' guizards at their tail Cloorin' the doors wi' runts o' kail, And fine ye'll hear the screichs an' skirls O' lassies wi' their droukit curls Bobbin' for aipples i' the pail. The bothie fire is loupin' het, A new heid horseman's kist is set Richt's o' the lum; whaur by the blaze The auld ane stude that kept yer claes— I canna thole to see it yet! But gin the auld fowks' tales are richt An ghaists come hame on Hallow nicht, O freend o' friends! what wad I gie To feel ye rax yer hand to me Atween the dark an' caun'le licht? Awa' in France, across the wave, The wee lichts burn on ilka grave, An' you an' me their lowe hae seen— Ye'll mebbe hae yer Hallowe'en Yont, whaur ye're lyin' wi' the lave. There's drink an' daffin', sang an' dance And ploys and kisses get their chance, But Lachlan, man, the place I see Is whaur the auld kist used tae be And the lichts o' Hallowe'en in France!
6.
Fit’ll we dae wi the Herrin’s heids? Fit’ll we dae wi the Herrin’s heids? We’ll mak them intae loafs o breid, Herrin’s heids, loafs o breid and all manner o things. Of all the fish that swim in the see, The herrin it is the fish for me, Sing, fa la la lie doe, Fa la la lie doe, Fa la la lie doe lie day. Fit’ll we dae wi the herrin’s eyes? Fit’ll we dae wi the herrin’s eyes? We’ll mak them intae puddins and pies, Herrin’s eyes puddins and pies, Herrin’s heids loafs o breid and all manner o things. Of all the fish that swim in the see, The herrin it is the fish for me, Sing, fa la la lie doe, Fa la la lie doe, Fa la la lie doe lie day. Fit’ll we dae wi the herrin’s fins? Fit’ll we dae we the Herrin’s fins? We’ll mak them intae needles and pins, Herrin’s fins needles and pins, Herrin’s eyes puddins and pies, Herrin’s heids loafs o breid and all manner o things. Of all The fish that swim in the see, The herrin it is the fish for me, Sing, fa la la lie doe, Fa la la lie doe, Fa la la lie doe lie day. Fit’ll we dae wi the herrin’s back? Fit’ll we dae wi the herrin’s back? We’ll mak it intae a sailor cried Jack, Herrin’s back sailor cried Jack, Herrin’s fins needles and pins, Herrin’s eyes puddins and pies, Herrin’s heids loafs o breid and all manner o things. Of all the fish that swim in the see, The herrin it is the fish for me, Sing, fa la la lie doe, Fa la la lie doe, Fa la la lie doe lie day. Fit’ll we dae wi the herrin’s tail? Fit’ll we dae wi the herrin’s tail? We’ll mak it intae a boat wi a sail. Herrin’s tail boat wi a sail, Herrin’s back sailor cried Jack Herrin’s fins needles and pins, Herrin’s eyes puddins and pies, Herrin’s heids loafs o breid and all manner o things. Of all the fish that swim in the see, The herrin it is the fish for me, Sing, fa la la lie doe, Fa la la lie doe, Fa la la lie doe lie day. Fit’ll we dae wi the herrin’s belly? Fit’ll we dae wi the herrin’s belly? We’ll mak it intae a wifey cried Nelly. Herrin’s belly wifey cried Nelly, Herrin’s tail boat wi a sail, Herrin’s back sailor cried Jack, Herrin’s fins needles and pins, Herrin’s eyes puddins and pies, Herrin’s heids loafs o breid and all manner o things. Of all the fish that swim in the see, The herrin it is the fish for me, Sing, fa la la lie doe, Fa la la lie doe, Fa la la lie doe lie day.
7.
“Oh tell me fit was on yer road, ye roarin Norland wind? As ye come blawin frae the land that's never frae ma mind. Ma feet they traivel England but I'm deein for the North.” “Ma man, I saw the siller tides rin up the Firth o Forth.” “Aye wind, I ken them weel eneuch an fine they fa and rise, And fain I'd feel the creepin mist on yonder shore that lies. But tell me as ye pass them by, fit saw ye on the way?” “Ma man, I rocked the rovin gulls that sail abin the Tay.” “Bit saw ye naethin leein wind afore ye come tae Fife? For there's muckle lyin 'yont the Tay that's mair tae me nor life.” “Ma man, I swept the Angus braes that ye hivna trod for years.” “Oh wind, forgie a hameless loon that canna see for tears.”“ “And far abin the Angus straths I saw the wild geese flee, A lang, lang skein o beatin wings wi their heids toward the sea, And aye their cryin voices trailed ahint them on the air.” “Oh wind, hae mercy, haud your wheesht for I daurna listen mair.”
8.
When your time o' work is done, and ye've earned yersel' some fun In the pub ye start tae sup, ye're drinkin', clinkin' every cup And the pint pots ye're preusin', and ye're boozin' till ye're snoozin' And ye're losin' a' yer senses tae the drink. But when a' these folks sae prim are swiggin' swill up tae the brim Nips o' gin and numbered Pimms wi' sugar rubbed aroon the rim Let them drink until they drop, for the sly, besotted Scot He'll be breakin' oot a bottle o' the best. Aye, tae hell wi' a' the rest, give me a bottle o' the best The amber bead I'll down wi' speed; it's no bad taste or waste, just greed And a whisky still I'll kill, I'll drink my fill and if I spill a gill You know I will, I'll lick it off the floor. I'll not touch Teachers, Grants nor Haig, gie me Bowmore or Laphroaig, Glenfarclas in a glass, well ye can throw the top away For there's no use tae pretend that ye'll need the top again When ye've broken oot a bottle o' the best. And the English like their ale warm and flat, straight oot the the pail They aye slitter wi' their bitter; it would slaughter Jack the Ripper, And they sip their cider rough, they huff and puff and sniff and snuff, And as if that's no' enough, they start tae sing. When Jones' Ale Was new, or John Barleycorn's fine brew Fathom the Bowl, the Barley Mow, Bring us a Barrel, just a few But their songs are far surpassed by the tinkle in the glass When you've broken oot a bottle of the best. And the Irish, wi' their Pride o' Erin, think they can deride Oor golden watter wi' their patter when they're oot upon the batter, Sixteen hundred pints o' stout, a drinkin' bout wi' oot a doubt And if they've no' got the gout they start tae dance. Father O'Flynn and Larry O'Gaff, Biddy the Bowlwife, for a laugh The Young May Moon, the Garry Owen, the Blackbird drives them daft But their jigs have no appeal tae a Scot who likes tae reel When he's broken oot a bottle o' the best. Aye, a bottle o' the best, that's what it is, nae idle jest Nae Mickey Finn, nae rotgut gin, nae bathtub wine that tastes like Vim Have no fear, it's not like beer; malt whisky's strong and bright and clear And it's also bloody dear, but what the hell. And it belts ye in the belly like a heavyweight Lochgelly A glow begins tae grow six in a row turns ye tae jelly Then ye dream, perchance tae sleep, but ye fall down in a heap For ye've broken out a bottle of the best.
9.
It's in the evenin after dark When the blackleg miner creeps to work With his moleskin pants an dirty shirt There goes the blackleg miner He takes his pick an doon he goes To hew the coal that lies below But there's not a woman in this town row Would look at a blackleg miner Oh, Delaval is a terrible place They rub wet clay in the blackleg's face Around the pit-heaps they run a foot race To catch the blackleg miner Divvn't gan near the Seghill mine Across the way they stretch a line To catch the throat an break the spine Of the dirty blackleg miner Tak your tools an gear as well An hoy them doon the pit of hell Doon ye go an fare ye well Ye dirty blackleg miner So join the union while ye may Don't wait until your dying day For that may not be far away Ye dirty blackleg miner
10.
Oh dear me the mills gaein fast, And the pair wee shifters canna get nae rest; Shiftin bobbins, coorse and fine, They fairly mak ye wark for your ten and nine. Oh dear me I wish the day wis done, Rinnin up an doun the pass is nae fun; Shiftin, piecin, spinnin - warp, weft and twine, Tae feed an claith ma bairnies affen ten and nine. Chorus Oh dear me the mills gaein fast, And the pair wee shifters canna get nae rest; Shiftin bobbins coorse and fine, They fairly mak ye wark for your ten and nine. O dear me, the warld's ill divided, Them that works the hardest are the least provided; But I maun bide contented, dark days or fine, There's no much pleisure livin affen ten and nine. Chorus
11.
Hey, mac, did ye see him as he cam doun by Gorgie Awa owre the Lammerlaw an north o the Tay? Yon man is comin an the hail toun is turnin out We're aa shair he'll win back tae Glesca the day The jiners an hauders-on are merchin fae Clydebank Come on nou an hear him he'll be owre thrang tae bide Turn out Jock an Jimmie, leave yer cranes an yer muckle gantries Great John Maclean's comin hame tae the Clyde. Argyll St and London Road's the route that we're merchin The lauds frae the Broomielaw are here, tae a man! Hey Neil, whaur's yer hauderums, ye big Heilan teuchtar Get yer pipes, mate, an merch at the heid o the clan Hullo, Pat Malone, shair A knew ye'd be here, so, The red an the green, laud, we'll wear side by side Gorbals is his the day an Glesca belangs tae him Nou great John Maclean's comin hame tae the Clyde. Forward tae Glesca Green we'll merch in guid order Will grips his banner weill, that boy isnae blate! Aye, weill, man, thair's Johnnie nou, that's him thair the bonnie fechter Lenin's his feir, laud, and Liebknecht's his mate Tak tent whan he's speakin for thae'll mind whit he said here In Glesca, our city, an the hail warl besides Och man the scarlet's bonnie, here's tae ye Heilan Shonie Great John Maclean's comin hame tae the Clyde. Aye weill, whan it's feenisht A'll awa back tae Springburn Come hame tae yer tea, John, we'll sune hae ye fed It's hard wark the speakin, och, A'm shair he'll be tired the nicht A'll sleep on the flair, mac, an gie John the bed The hail city's quiet nou, it kens that he's restin At hame wi's Glesca freens, thair fame an thair pride The red will be worn, ma lauds, an Scotlan will merch again Nou great John Maclean has come hame tae the Clyde.
12.
I gaed up tae Alford, for tae get a fee Twas there i met wi Jamie Broon an' wi' him I did agree Chorus Dum, a hi dum do, a hi dum day Hi dum a diddle dum, a hi dum day I engaged wi' Jamie Broon in the year o' ninety wan Tae gang an' ca' his second pair an' be his orra man When I gaed hame tae Guie a Tough was on an evening clear Frae oot aboot some orra hoose the gaffer did appear I'm the maister o' the place an' that's the mistress there An' if ye want some bried and cheese ye'll surely get ye're share I sat an ate at cheese an' bried till they did roon me stare And then I thocht that it was time tae gang an' see ma pair I gaed tae the stable my pairie for tae view An' fegs they were a dandy pair, a chestnut and a blue. Then early next mornin' I gaed tae the ploo' But lang, lang or lowsin' time my pairie gart me rue. My ploo' she wisnae workin' weel, she widna thraw the fur The gaffer says "There's a better ane at the smiddy tae gang for" When I got hame the new ploo' she pleased me unco weel But I thocht she wid dae better gin she had a cuttin' wheel. We hae a gallant baillie, Wallace is his name, He can fair redd up the kye when he taks doon a kame. We hae a little baillie and Jamieson's his name And he's gane doon tae Alford an' raised an awfy fame. He's gane doun tae Charlie Watt's for tae hae a dram, Lang, lang e'er I gaed doon the laddie couldnae stan. I wrocht awa' a month or twa wi' unco little clatter Till I played up some nasty tricks and broke the tattie chapper. The gaffer he got word o' this and orders did lay doon That if I did the like again he wad pit me frae the toon. Noo my song is ended and I’ll no sing oney more An' if ye be offended ye can walk ootside the door.
13.
In faded photo, like a dream, A locomotive under steam Rolls with the ranks of marching feet And union banners on the street. Chorus Bring out the banners once again, You union women, union men, That all around may plainly see The power of our unity. I've seen those banners richly made With symbols fair of craft and trade, The union's names in red and gold, Their aspirations printed bold. Chorus Boilermakers, smiths and cooks, Stevedores with cargo hooks, Declare their union strong and proud, Rank on rank before the crowd. Chorus They won the eight-hour working day, They won our right to honest pay, Victorious their banners shone, How dare we lose what they have won? Today, when those who rule divide, We must be standing side by side, Our rights were bought with tears and pain, Bring out the banners once again. Chorus Repeat Chorus
14.
Ae fond kiss, and then we sever; Ae fareweel, and then forever! Deep in heart-wrung tears I'll pledge thee, Warring sighs and groans I'll wage thee. Who shall say that Fortune grieves him, While the star of hope she leaves him? Me, nae cheerfu' twinkle lights me; Dark despair around benights me. I'll ne'er blame my partial fancy, Naething could resist my Nancy; But to see her was to love her; Love but her, and love forever. Had we never lov'd sae kindly, Had we never lov'd sae blindly, Never met or never parted? We had ne'er been broken-hearted. Fare thee weel, thou first and fairest! Fare thee weel, thou best and dearest! Thine be ilka joy and treasure, Peace, enjoyment, love, and pleasure! Ae fond kiss, and then we sever; Ae fareweel, alas, forever! Deep in heart-wrung tears I'll pledge thee, Warring sighs and groans I'll wage thee!
15.
If you want to see the General, I know where he is, I know where he is, I know where he is. If you want to see the General, I know where he is, He's sitting in his old armchair. I saw him, I saw him, sitting in his old armchair, I saw him, sitting in his old armchair. If you want to see the Adjutant, I know where he is, I know where he is, I know where he is. If you want to see the Adjutant, I know where he is, He's sitting in the Folies Bergere. I saw him, I saw him, sitting in the Folies Bergere I saw him, sitting in the Folies Bergere. If you want to see the Captain, I know where he is, I know where he is, I know where he is. If you want to see the Captain, I know where he is, He's knocking off the Adjutant’s wife. I saw him, I saw him, knocking off the Adjutant’s wife, I saw him, knocking off the Adjutant’s wife. If you want to see the Sergeant, I know where he is, I know where he is, I know where he is. If you want to see the Sergeant, I know where he is, He’s fiddling the company’s rum. I saw him, I saw him, fiddling the company’s rum, I saw him, fiddling the company’s rum. If you want to see the corporal, I know where he is, I know where he is, I know where he is. If you want to see the Corporal, I know where he is, He’s propping up the NAAFI Bar. I saw him, I saw him, propping up the NAAFI Bar, I saw him, propping up the NAAFI Bar. If you want to see the Private, I know where he is, I know where he is, I know where he is. If you want to see the Private, I know where he is, He’s hanging on the old barbed wire. I saw him, I saw Him, hanging on the old barbed wire, I saw him, hanging on the old barbed wire.
16.
A've ay worked on farms and fae the start the muckle horses won ma heart, Wi' big broad backs they proudly stand, the uncrowned kings o a' the land, An' yet for a' their power and strength, they're as gentle as a summer's wind. Chorus So steady, boys; walk on; oor work is nearly done, No more we'll till or plough the fields, the horses' day is gone, An' this will be oor last trip home, so steady, boys; walk on. You'll hear men sing their songs of praise, of Arab stallions in a race, Or hunters that fly wi' the hounds, to chase the fox and run him down, But none o' them compare I vow, tae a workin' pair that pulls the plough. Chorus Aw the years I've plied ma trade, an aw the fields we've ploughed and laid, I never thought I'd see the time when a Clydesdale's work wid ever end, But progress runs its driven course and tractors hae replaced ma horse. Chorus As we head back our friends have lined the road tae be there one last time, Not one o' them will want tae miss, the chance tae see us pass like this, They'll say they saw in years tae come, the muckle horses' last trip home. Chorus
17.
They wouldn't hear your music And they pulled your paintings down They wouldn't read your writing And they banned you from the town But they couldn't stop you dreaming And a victory you have won For you sowed the seeds of freedom In your daughters and your sons In your daughters and your sons Your daughters and your sons You sowed the seeds of freedom In your daughters and your sons Your weary smile it proudly hides The chainmarks on your hands As you bravely strive to realise The rights of everyone And though your body's bent and low A victory you have won For you sowed the seeds of justice In your daughters and your sons I don't know your religion But one day I heard you pray For a world where everyone can work And children they can play And though you never got your share Of the fruits that you have won You sowed the seeds of equality In your daughters and your sons They taunted you in Belfast And they tortured you in Spain And in that Warsaw ghetto Where they tied you up in chains And in Vietnam and Chile Where they came with tanks and guns It's there you sowed the seeds of peace In your daughters and your sons And now your music's playing And the writing's on the wall And all the dreams you painted Can be seen by one and all Now you've got them thinking And the future's just begun For you sowed the seeds of freedom In your daughters and your sons
18.
Coming Home 05:43
Put a light in the window Your brother’s coming home Set a meal on the table Your brother’s coming home He’ll be tired and weary After all these years alone He’s coming home, your brother’s coming home Take the chain from the door, Your sister’s coming home Open wide your arms Your sister’s coming home Don’t leave her standing there After all the pain she’s known She’s coming home, your sister’s coming home Chorus Coming home to a place they’ve never been Coming home to a land they’ve never seen Coming home to a family they have never known A’ Jock Tamson’s bairns Are coming home He’s been angry and afraid Your father’s coming home He’s been hounded and betrayed Your father’s coming home And with every act of kindness A seed of hope is sown He’s coming home. Your father’s coming home Chorus Bring her in from the cold Your mother’s coming home Sit her down by the fire Your mother’s coming home Make her warm, make her welcome Before the chance is gone She’s coming home, your mother’s coming home Chorus From Iraq and Zimbabwe, Your family’s coming home And from Syria and Palestine Your family’s coming home Seeking rest and refuge They have never known They’re coming home, Your family’s coming home Chorus Open Up the Border, Our family’s coming home Increase the quota, Our family’s coming home One kin one family And we all just want a home They’re coming home our family’s coming home Chorus

about

About Paul Brown
I’ve always sung! I can’t remember a time I didn’t!
For me singing is not only a way of telling stories and addressing political issues, but it is good for my mental health – I really notice if I haven’t had a good sing for a couple of weeks.
There’s something really powerful and special about singing together. If you hear a good motivating speaker that can fire you up, but when someone sings a political song you can sing along or tap your foot or drum your fingers in time to the music – you participate! It’s an active thing.
So, the songs I sing are mostly ‘active things’, they are a vehicle to get people singing together. I get no better kick than leading mass voices singing ‘Bring out the banners once again, you union women union men…’ or ‘Join the union while you may, don’t wait til you’re dying day, for that may not be far away, you dirty blackleg miner!’
Songs also allow you to get inside people’s heads in a way that I don’t think speeches or other forms of art do: they are generally pretty short and open a door just a wee chink – enough to let you to plant a seed of change.

credits

released March 11, 2019

Nicola and Helena, thanks for allowing me the time to indulge in this recording and for always making sure that both Ian and I had beers.
Huge thanks go to Ian Bartlett of Find the Ferret Studios for his engineering and production work, harmonies and bodhran and mouthie playing, but mostly thanks for making me sound as good as I do!
To Jean Reid your harmonies are as always exquisite and Jack Penman your singing and support have been invaluable.
Thanks to the ‘traditional guitarist’ Al Young: I haven’t suddenly become a virtuoso guitarist - all the fancy stuff’s Al’s!
I’m still amazed that I can record a track here in Auckland and email it to folk in Scotland to play along with and record their bits, but we did and special thanks go to Roy Murray for his mouthie playing on Norland Wind and to Quintin Campbell, who I’ve known since I was five and he was six, for his Mandolin on Norland Wind and the John Maclean March.
To all the others who have sung and supported – a huge thank you!
As someone who doesn’t write my own songs, I interpret those of others, a huge thank you to the songwriters out there including Trad Anon.
Thanks to Red Lenz for his amazing photographs peppered throughout and to all those organisations and individuals who gave permission for their photos to be used.
This album is a collective beast and is shaped by all the singers and musicians I’ve played with over the years and everyone who has provided help and support in the process, so thanks to you all.

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Paul 'Bolshie' Brown Auckland, New Zealand

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